[gallery columns="4" size="medium" ids="6842,6843,6844,6845"] Video images of books are projected through a series of upright and angled transparent Plexiglas panels that simultaneously capture, reflect and refract. The work raises questions about the futility of our efforts to contain and archive that which is fluid, e.g. ideas. It contrasts the video book
[caption id="attachment_6630" align="alignnone" width="1024"] To New York Installation, Gallery-303, Belgo Building, Montreal-2001[/caption] This work was created and exhibited in memory of the tragic loss of human life resulting from terrorist attacks on the World Trade Centre, New York City, U.S.A., September 11, 2001. Upon entering the gallery, the visitor looks upward, as
[caption id="attachment_6635" align="alignnone" width="1024"] Out-of-Time-Installation, Karsh-Masson Gallery, Ottawa[/caption] Themes: A seamless interactive video installation using materials and images that create a space of consciousness that raises questions about mortality and the fluidity of human identity. The ritual pivoting action of the visitor sitting in the chair at the centre of four
[gallery size="large" ids="6645,6643,6639,6644,6642,6640"] The compressed river debris, preciously contained in these satin-lined oak boxes, references our need to capture and contain that which we love and find beautiful, to archive a trace of presence, and to resist letting go of our mortality. The secure positioning of the boxes on the floor allows
[caption id="attachment_6651" align="alignnone" width="1024"] Natures Wintertime, Light Projection Installation, Galerie Imagier, Gatineau, 2004[/caption] Nature's Winter Time 2 Galerie L'imagier, Gatineau Québec, 01/11 to 02/15, 2004 Themes: Rebirth & Renewal Sound: A mix of water, birds and an intermittent piano note. Gallery space: A long, narrow gallery space is enclosed to create a dynamic video projection
[gallery ids="6540,6539,6561,6559,6563,6560,6562,6536,6534,6538,6537,6535,6542,6558,6543,6544,6541,6546,6545"] The Golden Pond Print Series (22) consists of video frames that are digitally adjusted and repositioned as horizontal or vertical landscapes. The intricate mandala-like images resonate with organic intersections of the physical and spiritual. Theme: The fluidity of the interconnected whole, the interdependence of decay, loss and life. Inspiration: Video images
[gallery size="medium" ids="7203,7202,6653,6654,6655,6659,6658"] Description: Trees Interrupted Installation comprises a painting of tree branches across twelve loosely connected watercolour paper panels. While each paper panel is complete in itself, it simultaneously contributes to the completed whole. The twelve panels of watercolour paper were originally installed as a loosely connected grid suspended from the
[gallery size="medium" ids="6567,6579,6576,6574,6568,6577,6575,6573,6569,6578,6572,6571,6570"] The Presence of Absence – New York City 2011 In memory of the 9/11 attacks on the World Trade Centre NYC Polaroid emulsion transfers on watercolour painting. All prints are framed. My multi-layered process began with photographing my large black-and-white film photographs using a Polaroid camera. The Polaroid print was immersed in
[gallery size="medium" ids="6785,6787,6786"] Floor Installation - Videos at either end of a corridor of bright green outdoor carpeting engage the visitor’s turning action to view contrasting types of water videos. The vintage tube monitors face each other, each sitting on a vintage government-issue telephone table from the 1950s. Video Projection Installation -
[gallery size="medium" ids="6526,6523,6520,6524,6527,6529,6519,6528,6525,6522,6521"]